#ThemePrompt – Crown #Cinquain

Lessons from Nature

first rays
percolate down
to enlighten the soul
celestial light inspires to live
with hope

learn hope 
from wind that chimes 
to add her melodies 
to aspirations that dither
sometimes

Willows
absorb the grief
bend but refuse to break
resilience is a virtue –  
mute hint!

buds smile,
exhort us to
enjoy joyous moments
that are missed in the race of life –
savor!

be calm
emerald lake –
sea of serenity
an assurance of tranquil thoughts
reflect!
© Balroop Singh, 2022

The theme of the week is: Lessons from Nature (selected by Sarah.) Thanks to Colleen for the inspiration to craft syllabic poetry. I’ve written a Crown cinquain, a sequence of five cinquain stanzas functioning to construct one larger poem. This poem has five stanzas, each with syllable count of 2/4/6/8/2.

Thank you.

#Ekphrastic #Poetry Challenge

Today’s challenge explores Ekphrastic poetry,  inspired by visual art or photographs. Reena provided a piece of her artwork for this month’s challenge. Thanks to Colleen for the inspiration to write syllabic poetry.

I chose a new form: Octelle and have tried to write two poems. It was challenging as I had to keep in mind the rhyming scheme, while writing a syllabic form.

The Octelle is a poem consisting of eight lines, using personification and symbolism in a telling manner. The syllable count structure for this verse is 8/8/7/7/7/7/8/8, and the rhyme scheme is aa/bb/cc/aa.) The first two lines and the last two lines are identical (refrain).

Aesthetic Coup

echoes of green, crimson and blue
pull me into aesthetic coup
of colors that define life
vague reflections croon with fife
yearn for elusive tunes
trapped in the maze of half moons
echoes of green, crimson and blue
pull me into aesthetic coup

***

Invisible

aching desires rest in designs
every single moment she whines
clipped wings are invisible
dried blood is divisible
you put it in cubbyholes
to sell the sagacious souls
aching desires rest in designs
every single moment she whines

© Balroop Singh

Thank you.

For more poetry: click here to hear Magical Whispers

Here is my latest release  Hues Of Hope 

#SpecificForm #Poetry #Challenge

This week, the challenge is “specific form” selected by Yvette Calleiro. This form is a stanza of eleven lines, four syllables each line. (called 4 – 11) The beginning line repeats as the last line. This form has been created by Gwen Plano, I wish it had a better name!

Detachment

Unseen robber,
detachment fiend
cold and ruthless
insensitive
doesn’t know love 
or emotions   
pulls away chords!
with bleeding hearts
and misty eyes
we look at the
unseen robber

***

Grief

All pervading,
agonizing
gnaws at our nerves,
percolates deep
into the bones
embers smolder,
negate logic
shadows lengthen
to envelop
deep depression
all pervading
© Balroop Singh

Thanks to Colleen for the inspiration to craft syllabic poetry.

Thank you.

For more poetry: click here to hear Magical Whispers

Here is my latest release  Hues Of Hope 

#TankaTuesday #Syllabic #Poetry

Today’s poetry is inspired from Colleen’s poetry challenge, which gives the freedom to choose our own syllabic form but concentrate on a chakra color to feature in our poem. Please visit Word Craft Poetry to understand chakras. I chose tanka and violet color.

vernal violet
visual delight that jolts
royal touch that holds   
just one glance satiates me
even dew lingers to love

***

violet bells dance
tunes of  nature inspire
winds wane to watch them
beguile me in my backyard
scenario to cherish

***

Ah! The healing touch,
profound awareness moments
smear my soul with peace
to feel  mystical embrace
and the shift of perspective

© Balroop Singh

I chose Violet color, which symbolizes creativity, wisdom, sensitivity and spirituality. It inspires, motivates, balances and uplifts. Thanks to Colleen for the inspiration to write syllabic poetry.

Thank you.

For more poetry: click here to hear Magical Whispers

Here is my latest release  Hues Of Hope 

Is it Creative Writing?

This post is inspired from some books, which I’ve read or dropped half-way recently. 

I’ve been wondering when did this happen: A marked erosion of language in modern fiction and deteriorating standards of vocabulary.

When I was a youngster, there was a striking difference between good literature and cheap novels and the students of literature were advised to avoid the latter kind of books. Though D.H. Lawrence was a prescribed author, but his ‘Lady Chatterley’s Lover’ was not available in the libraries. When I could lay my hands on this novel, I didn’t find anything offensive in the language. Probably it is the theme of his novel that raised eye-brows.

Nobody seems to care about any such aspect of books now. Profane language and curse words are acceptable. Themes can be as obscene as never read. Many modern authors consider it the normal vocabulary of people and want to connect with them. Probably their brains are wired differently, they have been hearing such words at home, which may sound rational to them.

If a character is disgusted, they use a “F” word. If he is frustrated, same word, if he is angry, upset or stressed, their word doesn’t change!

Is it realism, as those authors claim?
Is it the rat race to immediate success?

Showing or telling the story in a conversational manner doesn’t give a permit to use profane language!

If teenagers are using such words, they are hearing them from their parents, friends, cousins or uncles. When they read them in the books, they get the message that such language is appropriate. They grow up with the use of indecent phrases and expressions, which become their second nature. 

Do you think some authors who use “F” and “S” words to convey anger and frustration in each dialogue are doing their real job, which is to describe the emotions and psychological demeanor of their characters?

Don’t you think they need to develop their vocabulary to explain the reactions of their characters?

To my mind, such books, with vulgar thoughts and language are no less than a storm in the tea cup, their value diminishes within days, they would be forgotten and buried in the rubbish of unwanted literature. Most of the times, I drop such a book.

A good writer doesn’t need to introduce himself. His language conveys his stature. He/she doesn’t stoop to the level of cheap tricks to make his books popular. Even erotic scenes are written in a creative manner by mindful writers. I’ve read some fabulous books without a single curse word.

Do you think readers are becoming immune to curse words? Please share your views.

Thank you.

– Balroop Singh.